| PLOT SEQUENCE SIMILARITIES AND CORRELATIONS |
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NOTE: MANY MORE HAVE BEEN FOUND AND INCLUDED IN LEGAL FILINGS
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| Please note that there are many, many similar correlations in the supplemental |
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| datasheets, but those have not been factored into this spreadsheet yet. |
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DVC |
DOG/DVL |
DoG |
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| The books are about a quest |
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| By an identical hero |
see supplemental datasheet |
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| And an identical heroine |
see supplemental datasheet |
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| Seeking extraordinary documents |
158 |
73 |
73 |
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| that prove the divinity of |
256 |
175 |
175 |
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| The identical sacred woman who had been wronged by the church and who is a symbol for the Great Goddess |
see supplemental datasheet |
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| The documents will "shake the foundations" of the Catholic Church." |
239 |
226 |
56 |
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| The documents are so incredible they explode |
158 |
175 |
175 |
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| The quest is launched by the murder of an art expert |
11 |
29 |
3 |
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| who is dying when we first see him in the book |
3 |
29 |
3 |
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| and who who has a very nice office |
26 |
2 |
2 |
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| The art expert is the fourth member of his group to be killed. |
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| The art expert is about the same age |
76 |
79 |
146 |
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| and appearance |
35 |
28 |
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| And knows the Hero |
22 |
15 |
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| The Hero is accused of the art expert's murder. |
47 |
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260 |
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| The art expert writes his last message in his own blood. |
35 |
35 |
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| The message sets the hero and heroine off on their quest |
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| The message is an awesome religious puzzle. |
234 |
252 |
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| provides the Heroine a clue leading to a painting |
132 |
55 |
55 |
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| which was painted on wood |
133 |
52 |
52 |
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| whose name refers to the woman being worshipped in the book |
see supplemental datasheet |
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| The provides the Heroine with a gold key that turns NO tumblers. |
139 |
367 |
367 |
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| The golden key provides access to a safe deposit box in a Zurich Bank. |
171 |
276 |
276 |
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| The Safe Deposit box holds another a container requiring a combination |
197 |
316 |
316 |
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| The contents of the container from the safe deposit box are another puzzle that sends them on a trip to a distant place. |
285 |
316 |
316 |
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| The Quest is further complicated by a secretive brotherhood with a contentious relationship with the Vatican headed by |
see supplemental datasheet |
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| A man of the cloth who believes the Catholic Church has strayed and that his brotherhood's way is the true faith. |
see supplemental datasheet |
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| The hero and heroine are stalked by a "hulk" assassin |
12 |
8 |
66 |
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| The hulk assassin is an "educator" or directed by one. |
12 |
8 |
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| When the hero and
heroine are desperate and being pursued by the police, they turn to a
former colleague, a member of the British upper-crust
|
218 |
277 |
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| The hero and heroine need help for the journey and turn to a shapeshifter who joins the Quest |
219 |
221 |
221 |
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| The shapeshifter is very well educated |
227 |
39 |
23 |
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| snobbish and wealthy |
217 |
39 |
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| The Shapeshifter manipulates the hero and heroine and |
see supplemental datasheet |
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| Also manipulates the head of a key religious brotherhood. |
throughout |
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| The shapeshifter has no compunction about killing those close to him |
387 |
7 |
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| The shapeshifter has an intense emotional relationship with the Catholic Church and is motivated by that. |
412 |
73 |
73 |
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| Leonardo's Codex Leicester is used to make an important plot point and the same mistake of fact is duplicated |
300 |
18 |
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| Key to the documents
is proof the church has conducted a spin campaign to smear the Goddess
in order to support the male-domination in church ranks. |
37 |
110 |
110 |
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| The actions are called a cover-up |
249 |
317 |
317 |
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| The Cover-up is necessary because Jesus was a feminist |
248 |
205 |
205 |
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| The Hero and Heroine
are cornered by a lower-ranking police officer and his fear of acting
without his superior causes him to hesitate and allows the Hero and
Heroine to escape. |
270 |
339 |
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| Events force low-ranking policeman to pursue hero and heropine, but he loses them |
280 |
343 |
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| A dramatic scene of
life and death with the hero and heroine present takes place in a
rarity in Christian architecture, a round church |
343 |
348 |
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| The shapershifter acquires the prize from the hero and heroine |
361 |
372 |
372 |
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| When the Hero and Heroine find themselves at a loss for direction, they turn to a computer database for help |
377 |
293 |
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| The shapeshifter almost wins but ultimately loses the prize |
424 |
396 |
396 |
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| The Heroine herself is a descendent of and a symbol for the Goddess |
see supplemental datasheet |
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| The denoument concludes without the prize/Grail in hand and the sentiment |
445 |
409 |
409 |
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| That the physical objects are not important, but that the mystery and faith are the real prize. |
444 |
415 |
415 |
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| CORRELATION |
65% |
all plot points present |
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and in the same order |
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| Pages in each book. All correlations |
454 |
400 |
422 |
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| correct for differing page numbers to |
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| make comparisons valid. |
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